Rashōmon (Akira Kurosawa, 1950) “Deceptive Perspectives Echoing the Truth”

To claim that Akira Kurosawa is an enigmatic director would be an understatement. One of the greatest filmmakers in cinema history, but also a paradigm (and a synecdoche) of post-war Japan, he combines influences from Western literature (e.g. Dostoyevsky) and philosophy with distinctive Japanese aesthetics and tradition. After the American occupation, Japan found itself flooded … Continue reading Rashōmon (Akira Kurosawa, 1950) “Deceptive Perspectives Echoing the Truth”