Hiroshima Mon Amour (Alan Resnais, 1959) “…Nevers Mon Amour”

Hiroshima Mon Amour, directed by Alan Resnairs, opens with a close-up of an arm and body amorously entangled. They are in the dark, their bodies are joined and small particles, resembling ashes or sand (as the sands of time), are falling and covering them. They are caressing and soon begin to glow, as they are … Continue reading Hiroshima Mon Amour (Alan Resnais, 1959) “…Nevers Mon Amour”

Three Colors: Blue (Krzysztof Kieślowski, 1993) “Blue Is the Coldest Color”

Three Colors: Blue came out half a year after the Maastricht Treaty was signed, transforming the European Community into the European Union. The film was supported by the Council of Europe, but mostly financed by the French. It celebrates the idea of the European unity and integration, but also the three principles of the French … Continue reading Three Colors: Blue (Krzysztof Kieślowski, 1993) “Blue Is the Coldest Color”

Holy Motors (Leos Carax, 2012) “Inner Eye of the Beholder”

Holy Motors is a French film directed by Leos Carax; it competed for the Palme d’Or at the 2012 Cannes Film Festival. In its quaint particularity it approaches themes like sex, modern life, libertinism and aesthetics, completely justifying the aforementioned honour. It opens wih a shot of people in the theater watching a film, suggesting that … Continue reading Holy Motors (Leos Carax, 2012) “Inner Eye of the Beholder”