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In Ingmar Bergman’s Words: Music and Film: Image of Poetic and Musical Erotic
When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with […]
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In Pedro Almodóvar’s Words: Cinema as a Religion
The bad education I received at school was rectified when I went to the cinema. My religion became the cinema. Of course one could create one’s own belief system, and anything that helps or supports you in life can be seen as covering the function of religion. In that sense you could consider cinema my […]
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A Veiled Body: The Divided Self in Cronenberg’s “A History of Violence”
We question a country’s self-mythology. Perfect town and perfect family are – like Westerners – part of America’s mythology, involving notions of past innocence and naïveté. But is it possible for innocence to exist while something heinous transpires elsewhere? David Cronenberg In David Cronenberg’s A History of Violence something heinous transpires underneath the presentation of […]
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Celebration of Life’s Evening in Paolo Sorrentino’s “Youth”
To the poet, to the philosopher, to the saint, all things are friendly and sacred, all events profitable, all days holy, all men divine. Ralph Waldo Emerson We might add that this applies to the filmmakers like Paolo Sorrentino as well. Sorrentino portrays the holiness of days passing and the divine in men with particular […]
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Never Let Me Go (2010) – Path to Completion
Title card: The breakthrough in medical science came in 1952. Doctors could now cure the previously incurable. By 1967, life expectancy passed 100 years. Never Let Me Go is based on a novel by Kazuo Ishiguro; the film describes the dystopian reality which takes place more than 50 years before the film was made. […]
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Bloody Code in the Classic of Japanese Cinema “Harakiri”
Masaki Kobayashi’s Harakiri belongs to the jidaigeki genre (period piece). It follows the period shortly after the battle at Sekigahara and the establishemnt of the Tokugawa shogunate (1630). The film begins with a short exposition by the official of House Iyi, who talks about the everyday life of the samurai warlord. It is a perspective […]