Cinema of the World
-

We have reached a 100 post milestone on this blog, and this wouldn’t be possible without you, the readers. I thank you for following and reading this blog for all these years, many exciting posts await you! Here are some essays which have been particularly well-received throughout the years, and if you haven’t read them…
-

The film title refers to the Philippines’ northern province Ilocos Norte, where Diaz’s film takes place. In this way, the narrative has a specific locus, it is, at least provisionally, a hint that it is bound to the territory and the nation of the Philippines. In many ways it is, but in many more, it…
-

The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain liberation. When that which one had wanted to see isn’t sufficiently revealed, however, the…
-

The camera is focused on a highway, its yellow stripes are passing by rapidly, and Bowie’s song I’m Deranged is playing; a highly suggestive introduction into the film. In the opening shot, we see a man smoking a cigarette, by carefully following the narrative throughout the film, we can recollect that he is in death…
-

At the beginning of the film, we see a paintress conversing with her students, and in the background, there is a picture they brought, but they should not. The painting portrays a grayish landscape, and a woman with her dress on fire, slowly walking towards it centre, so it seems. The majority of the painting…
-

Ingmar Bergman’s The Virgin Spring is an adaptation of a thirteen century Swedish ballad. Christanity became a state religion in Sweden in the twelfth century, while the process of Christianization of Sweden began roughly in the ninth century. This means that the tale we witness on the screen, portrays an age in which Christianity…
-

Pawlikowski once said that “Ida doesn’t set out to explain history. That’s not what it’s about. The story is focused on very concrete and complex characters who are full of humanity with all its paradoxes. They’re not pawns used to illustrate some version of history or an ideology.” I find this to be immensely…
-

The first article I have published this year on this site was about a contemporary black-and-white Hungarian film Werckmeister Harmonies (2000), with the title “A Mortal God”. In this article, I explored the apocalyptic symbolism behind a decaying whale, and the pessimist philosophy of cosmic proportions presented in the film. Later, another article about a…

