Through A Glass Darkly (Ingmar Bergman, 1961) “Vision of God As A Spider”

In the thirteenth chapter of the first epistle to the Corinthians, St Paul says: “For now we see through a glass, darkly; but then face to face: now I know in part; but then I shall know even as I also am known”. In these St Paul’s words, practically the whole film Through the Glass … Continue reading Through A Glass Darkly (Ingmar Bergman, 1961) “Vision of God As A Spider”

In Bruno Ganz’s Words… “In Memoriam: An Angel Embodying A Demon”

[On Hitler: Downfall (2004)] What people need is for Hitler to actually represent evil itself. But what is evil itself? That means nothing to me. I have to perform a living human being (…) We know how to judge Hitler. We don’t need another film that condemns him. We already know where we stand on … Continue reading In Bruno Ganz’s Words… “In Memoriam: An Angel Embodying A Demon”

Silence (Martin Scorsese, 2016) “Last Breaths of Christendom In the Land of the Rising Son”

The first European Christian missionaries landing in Japan… found their hosts totally unprepared for the message of salvation they brought. Not indifferent however. On the contrary, their preaching... though it was radically at odds with native beliefs, it was warmly received… Baptismal waters flowed. Japan might have gone Christian. But it was not to be. … Continue reading Silence (Martin Scorsese, 2016) “Last Breaths of Christendom In the Land of the Rising Son”

Sansho the Bailiff (Kenji Mizoguchi, 1953) “Revolutionary in Buddhist Robes”

Kenji Mizoguchi's Sanshô dayû is based on a folk tale taking place in the Heian period; Chinese and Buddhist influence, as well as the one of the Imperial power were at their summit. Mizoguchi is one of the greatest Japanese directors who created during the period of Japanese cinema which may very well be called its … Continue reading Sansho the Bailiff (Kenji Mizoguchi, 1953) “Revolutionary in Buddhist Robes”