Silence (Martin Scorsese, 2016) “The Dark Night of the Soul”

Earlier this year, I wrote an article about this very film, “Last Breaths of Christendom in the Land of the Rising Son”, emphasizing the role of the Japanese state (Tokugawa Shogunate) and the Hobbesian reading which implies that the state proscribes the teachings and religions practiced by the populace; in this case the state religion … Continue reading Silence (Martin Scorsese, 2016) “The Dark Night of the Soul”

5 Films Inspired By the Brothers Grimm Fairy Tales (Red Riding Hood)

For the second part of the list dealing with the films based on the Brothers Grimm fairy tales, with a focus on the fairy tale Red Riding Hood, I chose a Japanese animated film "Jin-Roh: The Wolf Brigade" and a surrealist Czechoslovakian film "Valerie and Her Week of Wonders", films which deal with this fairy tale in an extraordinary way...

In Yasujirô Ozu’s Words: “The Change of Seasons”

I tried to show the collapse of the Japanese family system through showing children growing up. Yasujirô Ozu Ozu’s post-war work, during the time when he made his most memorable films, is characterized by the same theme which is presented over and over. In his own words, he presents the “collapse of the Japanese family … Continue reading In Yasujirô Ozu’s Words: “The Change of Seasons”

Sansho the Bailiff (Kenji Mizoguchi, 1953) “Revolutionary in Buddhist Robes”

Kenji Mizoguchi's Sanshô dayû is based on a folk tale taking place in the Heian period; Chinese and Buddhist influence, as well as the one of the Imperial power were at their summit. Mizoguchi is one of the greatest Japanese directors who created during the period of Japanese cinema which may very well be called its … Continue reading Sansho the Bailiff (Kenji Mizoguchi, 1953) “Revolutionary in Buddhist Robes”

Harakiri (Masaki Kobayashi, 1962) “Bloody Code”

Masaki Kobayashi’s Harakiri belongs to the jidaigeki genre (period piece). It follows the period shortly after the battle at Sekigahara and the establishemnt of the Tokugawa shogunate (1630). The film begins with a short exposition by the official of House Iyi, who talks about the everyday life of the samurai warlord. It is a perspective … Continue reading Harakiri (Masaki Kobayashi, 1962) “Bloody Code”