Family
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Quentin Tarantino’s Kill Bill is made to be seen in one sitting since only thus can the whole bloody affair be fully grasped, as what it truly is. Vol. 1 is highly aestheticized, we see the Bride on a killing spree seeking vengeance, eliminating the Deadly Vipers under Bill’s command. Vol. 2 ties the whole…
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The film title refers to the Philippines’ northern province Ilocos Norte, where Diaz’s film takes place. In this way, the narrative has a specific locus, it is, at least provisionally, a hint that it is bound to the territory and the nation of the Philippines. In many ways it is, but in many more, it…
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I tried to show the collapse of the Japanese family system through showing children growing up. Yasujirô Ozu The younger generation plays baseball, it is influenced by American culture in general, it is imbued with the values of freedom of choice and the pursuit of individual happiness. The older generation, on the other hand, values…
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We question a country’s self-mythology. Perfect town and perfect family are – like Westerners – part of America’s mythology, involving notions of past innocence and naïveté. But is it possible for innocence to exist while something heinous transpires elsewhere? David Cronenberg In David Cronenberg’s A History of Violence something heinous transpires underneath the presentation of…
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Hirokazu Koreeda’s Like Father, Like Son explores the meaning of the proverb in the film’s title and whether it can be the justification and the solution to the tragic choice characters in the film are forced to make. Ryota is a workaholic and a successful businessman, hardly spending time with his family; his wife tells him…
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There is a certain sadness that permeates Ozu’s films, of the passing of time and an era; of transience, of a time that will be long gone, but needs to be preserved. This is most particularly true for his so-called “Noriko Trilogy”, which stars Setsuko Hara, Ozu’s muse; Last Spring is a part of the…
