Game of Thrones Season 7 Overview Episodes 3-5 “Mad King’s Daughter?”

 Episode 3 – Queen’s Justice I have already written about episodes 1 & 2, in the article "Land and Sea", and in the third episode of Season 7 pieces on the chessboard are positioned in such a way that the Queen (Daenerys) is checking the King (Jon). He arrives at Dragonstone at his own will,… Continue reading Game of Thrones Season 7 Overview Episodes 3-5 “Mad King’s Daughter?”

In Yasujirô Ozu’s Words: “The Change of Seasons”

I tried to show the collapse of the Japanese family system through showing children growing up. Yasujirô Ozu Ozu’s post-war work, during the time when he made his most memorable films, is characterized by the same theme which is presented over and over. In his own words, he presents the “collapse of the Japanese family… Continue reading In Yasujirô Ozu’s Words: “The Change of Seasons”

In Stanley Kubrick’s Words: “3 Most Consistent and Original Contemporary Directors”

I believe Ingmar Bergman, Vittorio De Sica, and Federico Fellini are the only three filmmakers in the world who are not just artistic opportunists. By this I mean they don’t just sit and wait for a good story to come along and then make it. They have a point of view which is expressed over… Continue reading In Stanley Kubrick’s Words: “3 Most Consistent and Original Contemporary Directors”

A History of Violence (David Cronenberg, 2005) “A Veiled Body”

We question a country’s self-mythology. Perfect town and perfect family are – like Westerners – part of America’s mythology, involving notions of past innocence and naïveté. But is it possible for innocence to exist while something heinous transpires elsewhere? David Cronenberg In David Cronenberg’s A History of Violence something heinous transpires underneath the presentation of… Continue reading A History of Violence (David Cronenberg, 2005) “A Veiled Body”

Like Father, Like Son (Hirokazu Kore-eda, 2013) “Nature or Nurture?”

Hirokazu Koreeda's Like Father, Like Son explores the meaning of the proverb in the film's title and whether it can be the justification and the solution to the tragic choice characters in the film are forced to make. Ryota is a workaholic and a successful businessman, hardly spending time with his family; his wife tells him… Continue reading Like Father, Like Son (Hirokazu Kore-eda, 2013) “Nature or Nurture?”

Late Spring (Yasujirō Ozu, 1949) “Tears at A Noh Play”

There is a certain sadness that permeates Ozu’s films, of the passing of time and an era; of transience, of a time that will be long gone, but needs to be preserved. This is most particularly true for his so-called “Noriko Trilogy”, which stars Setsuko Hara, Ozu’s muse; Last Spring is a part of the… Continue reading Late Spring (Yasujirō Ozu, 1949) “Tears at A Noh Play”