The Nameless God: Ingmar Bergman’s Mythical Tale “The Virgin Spring”

  Ingmar Bergman's The Virgin Spring is an adaptation of a thirteen century Swedish ballad. Christanity became a state religion in Sweden in the twelfth century, while the process of Christianization of Sweden began roughly in the ninth century. This means that the tale we witness on the screen, portrays an age in which Christianity … Continue reading The Nameless God: Ingmar Bergman’s Mythical Tale “The Virgin Spring”

Freedom or Security? – MCU’s “Captain America: The Winter Soldier”

Chris Evans, the actor who impersonated Captain America, said the following words regarding his character's transition from the WWII era to the modern day: “It's not so much about his shock with [technology]... It's more about the societal differences. He's gone from the '40s to today; he comes from a world where people were a … Continue reading Freedom or Security? – MCU’s “Captain America: The Winter Soldier”

Dissolved in the Fire of Truth: Alex Garland’s “Annihilation”

For me, [Annihilation] was a film about the nature of self-destruction… it was about an observation I made, which is that everybody appears to be self-destructive. Some people are very obviously self-destructive because they’re addicted to heroin or alcohol… Other people are very comfortable in their own skin, and they’ve got a fantastic job and … Continue reading Dissolved in the Fire of Truth: Alex Garland’s “Annihilation”

A Veiled Body: The Divided Self in Cronenberg’s “A History of Violence”

We question a country’s self-mythology. Perfect town and perfect family are – like Westerners – part of America’s mythology, involving notions of past innocence and naïveté. But is it possible for innocence to exist while something heinous transpires elsewhere? David Cronenberg In David Cronenberg’s A History of Violence something heinous transpires underneath the presentation of … Continue reading A Veiled Body: The Divided Self in Cronenberg’s “A History of Violence”

Other-worldly Environmentalism in Miyazaki’s “Nausicaä of the Valley of the Wind”

From the very first scene of Nausicaä we can see that we are in a place of magical beauty. The trees, a windmill and the surroundings are coated in what looks like a spider-web or frozen snow; the flakes are falling around a man riding strange creatures, wearing a mask, looking bird-like. The man breaks … Continue reading Other-worldly Environmentalism in Miyazaki’s “Nausicaä of the Valley of the Wind”