In Ingmar Bergman’s Words “Music and Film: Image of Poetic and Musical Erotic”

When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with … Continue reading In Ingmar Bergman’s Words “Music and Film: Image of Poetic and Musical Erotic”

Nausicaä of the Valley of the Wind (Hayao Miyazaki, 1984) “Purity of Earth”

From the very first scene of Nausicaä we can see that we are in a place of magical beauty. The trees, a windmill and the surroundings are coated in what looks like a spider-web or frozen snow; the flakes are falling around a man riding strange creatures, wearing a mask, looking bird-like. The man breaks … Continue reading Nausicaä of the Valley of the Wind (Hayao Miyazaki, 1984) “Purity of Earth”

One More Time With Feeling (Andrew Dominik, 2016) “Nick Cave Speaking the Unspeakable”

  William Faulkner once wrote: Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. These words, from the novel Light in August, have the quality of a prose poem. Their meaning eludes me, just like the understanding of this documentary eludes me. Its elusion is associated with its nature, the articulation … Continue reading One More Time With Feeling (Andrew Dominik, 2016) “Nick Cave Speaking the Unspeakable”

The Master (Paul Thomas Anderson, 2012) “Did You Ever Go Clear?”

HPaul Thomas Anderson's The Master is one of his underrated movies, which is completely unjustified. It is the best performance of Joaquin Phoenix's career; his portrayal of an aggressive, erratic yet extremely complex character will leave an indellible mark in the history of film. The Master is a heaven for psychoanalysts, if there are any … Continue reading The Master (Paul Thomas Anderson, 2012) “Did You Ever Go Clear?”

2046 (Wong Kar-wai, 2004) “Poetry of Destructive Love”

Wong Kar-wai is not just a movie director, he is a psychologist and a poet dealing with romantic love. His style is so nuanced and brought to perfection that he can be put in the same sentence with the great Italian poet Dante Alighieri; the early poems of the aforemention poet are not his authentically, … Continue reading 2046 (Wong Kar-wai, 2004) “Poetry of Destructive Love”