In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

Two types of films: those that employ the resources of the theater (actors, direction etc...) and use the camera in order to reproduce; those that employ the resources of cinematography and use the camera to create. Robert Bresson, Notes on the Cinematographer Robert Bresson, a French director who gave us many masterpieces, Au Hasard Balthazar, … Continue reading In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

Werckmeister Harmonies (Béla Tarr, 2000) “A Mortal God”

Valuska, a dreamy, and intellectually “slow” postman, with a poetic understanding of his surroundings, stages a little scene with a bunch of weary drunkards, in a bar, at the very beginning of the film. He arranges the drunkards to act the roles of the the Moon and the Earth, as they revolve around the Sun. … Continue reading Werckmeister Harmonies (Béla Tarr, 2000) “A Mortal God”

In Ingmar Bergman’s Words: “Music and Film: Image of Poetic and Musical Erotic”

When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with … Continue reading In Ingmar Bergman’s Words: “Music and Film: Image of Poetic and Musical Erotic”

Nausicaä of the Valley of the Wind (Hayao Miyazaki, 1984) “Purity of Earth”

From the very first scene of Nausicaä we can see that we are in a place of magical beauty. The trees, a windmill and the surroundings are coated in what looks like a spider-web or frozen snow; the flakes are falling around a man riding strange creatures, wearing a mask, looking bird-like. The man breaks … Continue reading Nausicaä of the Valley of the Wind (Hayao Miyazaki, 1984) “Purity of Earth”

One More Time with Feeling (Andrew Dominik, 2016) “Nick Cave Speaking the Unspeakable”

  William Faulkner once wrote: Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. These words, from the novel Light in August, have the quality of a prose poem. Their meaning eludes me, just like the understanding of this documentary eludes me. Its elusion is associated with its nature, the articulation … Continue reading One More Time with Feeling (Andrew Dominik, 2016) “Nick Cave Speaking the Unspeakable”

2046 (Wong Kar-wai, 2004) “Poetry of Destructive Love”

Wong Kar-wai is not just a movie director, he is a psychologist and a poet dealing with romantic love. His style is so nuanced and brought to perfection that he can be put in the same sentence with the great Italian poet Dante Alighieri; the early poems of the aforemention poet are not his authentically, … Continue reading 2046 (Wong Kar-wai, 2004) “Poetry of Destructive Love”