Lost Highway (David Lynch, 1997) “This Is How I Remember It”

  The camera is focused on a highway, its yellow stripes are passing by rapidly, and Bowie’s song I'm Deranged is playing; a highly suggestive introduction into the film. In the opening shot, we see a man smoking a cigarette, by carefully following the narrative throughout the film, we can recollect that he is in … Continue reading Lost Highway (David Lynch, 1997) “This Is How I Remember It”

Portrait of a Lady on Fire (Céline Sciamma, 2019) “Eurydice’s Gaze“

At the beginning of the film, we see a paintress conversing with her students, and in the background, there is a picture they brought, but they should not. The painting portrays a grayish landscape, and a woman with her dress on fire, slowly walking towards it centre, so it seems. The majority of the painting … Continue reading Portrait of a Lady on Fire (Céline Sciamma, 2019) “Eurydice’s Gaze“

5 Films Portraying the Fall of 20th-century Empires and Dictatorships

This list deals with two Asian emperors who lost their empire in the course of their lives, the Chinese Emperor Puyi and the Japanese Emperor Hirohito, and two totalitarian leades Hitler and Stalin. The first lost his totalitarian empire before he died, while the second died of natural causes and his legacy was swiftly replaced, … Continue reading 5 Films Portraying the Fall of 20th-century Empires and Dictatorships

In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

Two types of films: those that employ the resources of the theater (actors, direction etc...) and use the camera in order to reproduce; those that employ the resources of cinematography and use the camera to create. Robert Bresson, Notes on the Cinematographer Robert Bresson, a French director who gave us many masterpieces, Au Hasard Balthazar, … Continue reading In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

The Virgin Spring (Ingmar Bergman, 1960) “The Nameless God”

  Ingmar Bergman's The Virgin Spring is an adaptation of a thirteen century Swedish ballad. Christanity became a state religion in Sweden in the twelfth century, while the process of Christianization of Sweden began roughly in the ninth century. This means that the tale we witness on the screen, portrays an age in which Christianity … Continue reading The Virgin Spring (Ingmar Bergman, 1960) “The Nameless God”

In Federico Fellini’s Words “Movies = Dreams“

Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream. Federico Fellini … Continue reading In Federico Fellini’s Words “Movies = Dreams“

In Michael Haneke’s Words “Confrontation with the Unknown”

“I like the multiplicity of books, because each book is different in the mind of each reader. It's the same with this film - if 300 people are in a cinema watching it, they will all see a different film, so in a way there are thousands of different versions of "Caché (Hidden)". The point … Continue reading In Michael Haneke’s Words “Confrontation with the Unknown”

Werckmeister Harmonies (Béla Tarr, 2000) “A Mortal God”

Valuska, a dreamy, and intellectually “slow” postman, with a poetic understanding of his surroundings, stages a little scene with a bunch of weary drunkards, in a bar, at the very beginning of the film. He arranges the drunkards to act the roles of the the Moon and the Earth, as they revolve around the Sun. … Continue reading Werckmeister Harmonies (Béla Tarr, 2000) “A Mortal God”

In Béla Tarr’s Words “Evolution in Understanding of Art, Life and Cinema”

“At the beginning of my career, I had a lot of social anger. I just wanted to tell you how fucked up the society is. This was the beginning. Afterwards, I began to understand that the problems were not only social; they are deeper. I thought they were only ontological and when I understood more … Continue reading In Béla Tarr’s Words “Evolution in Understanding of Art, Life and Cinema”

The Ominous Political Genius of Emperor Palpatine

Before reading this essay, you can read the previous one The Sinister Political Genius of Chancellor Palpatine   Auctoritas, not veritas facit legem [Authority, not truth creates the law] Thomas Hobbes, Leviathan, Chapter 24 Obi-Wan Kenobi and Anakin Skywalker heroically rescue Chancellor Palpatine from Count Dooku's pre-ordained “grip”; Dooku is beheaded by Anakin who defeats … Continue reading The Ominous Political Genius of Emperor Palpatine