Writing
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The purpose of this reflection on Faramir and Chani, as they are portrayed in J.R.R. Tolkien’s and Frank Herbert’s novels, and how their role is changed in the films made by Peter Jackson and Denis Villeneuve, is not to lament over those changes. It is to show how they reflect different languages of a novel…
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In the opening sequence of Stanley Kubrick’s 2001: The Space Odyssey “The Dawn of Man”apes are seen fighting over resources, more concretely, a hole filled with water. We see the violent beginnings of human race in the pre-historic times, and in the famous scene the very piece of bone which is used to beat down…
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In its Wagnerian manner, its German grotesquerie, its transvestitism, its nervous insanity, its ponderousness, its symphonic sense of psychological danger, its worship of the body, its unceasing dramatic tension, its excesses, its obsession with hurling every single character toward tragedy and death, its ostentation, its sensuality, its love of ritual and ceremony, its intoxication, and…
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Ingmar Bergman’s The Virgin Spring is an adaptation of a thirteen century Swedish ballad. Christanity became a state religion in Sweden in the twelfth century, while the process of Christianization of Sweden began roughly in the ninth century. This means that the tale we witness on the screen, portrays an age in which Christianity…
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Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream. Federico Fellini…

![Black Horse [Poem from the Yet Unpublished Book of Verses]](https://vigouroffilmlines.com/wp-content/uploads/2022/06/black-horse.jpg?w=1024)


