Three Colors: Red (Zagreb, Croatia; October 4th, 2020)

"And you will shed tears of scarlet." Quote from Cowboy Bebop: “The Real Folk Blues (Part I)” More than half a year has passed since the earthquake and the great damage it has done to my home, and I have changed two abodes. One was in the western part of the city, near the river, … Continue reading Three Colors: Red (Zagreb, Croatia; October 4th, 2020)

Early Spring (Zagreb, Croatia; May 1st, 2020)

To keep this blog film-related, I decided that the title of each subsequent post dealing with my experiences after the Zagreb earthquake, and the destruction of my home, will be the film title of a great film I love, with a symbolic undertone. For this post, I chose Yasujirō Ozu's Early Spring. Although it is … Continue reading Early Spring (Zagreb, Croatia; May 1st, 2020)

The Nameless God: Ingmar Bergman’s Mythical Tale “The Virgin Spring”

  Ingmar Bergman's The Virgin Spring is an adaptation of a thirteen century Swedish ballad. Christanity became a state religion in Sweden in the twelfth century, while the process of Christianization of Sweden began roughly in the ninth century. This means that the tale we witness on the screen, portrays an age in which Christianity … Continue reading The Nameless God: Ingmar Bergman’s Mythical Tale “The Virgin Spring”

In Federico Fellini’s Words: Movies = Dreams

Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream. Federico Fellini … Continue reading In Federico Fellini’s Words: Movies = Dreams

In Michael Haneke’s Words: Confrontation with the Unknown

“I like the multiplicity of books, because each book is different in the mind of each reader. It's the same with this film - if 300 people are in a cinema watching it, they will all see a different film, so in a way there are thousands of different versions of "Caché (Hidden)". The point … Continue reading In Michael Haneke’s Words: Confrontation with the Unknown

Decay of a Mortal God: Béla Tarr’s “Werckmeister Harmonies”

Valuska, a dreamy, and intellectually “slow” postman, with a poetic understanding of his surroundings, stages a little scene with a bunch of weary drunkards, in a bar, at the very beginning of the film. He arranges the drunkards to act the roles of the the Moon and the Earth, as they revolve around the Sun. … Continue reading Decay of a Mortal God: Béla Tarr’s “Werckmeister Harmonies”

In Béla Tarr’s Words: Evolution in Understanding of Art, Life and Cinema

“At the beginning of my career, I had a lot of social anger. I just wanted to tell you how fucked up the society is. This was the beginning. Afterwards, I began to understand that the problems were not only social; they are deeper. I thought they were only ontological and when I understood more … Continue reading In Béla Tarr’s Words: Evolution in Understanding of Art, Life and Cinema

Emperor Palpatine’s Political Rise: Star Wars: Episode III

Before reading this essay, you can read the previous one: The Political Rise of Chancellor Palpatine. Auctoritas, non veritas facit legem [Authority, not truth creates the law] Thomas Hobbes, Leviathan, Chapter 24 Obi-Wan Kenobi and Anakin Skywalker heroically rescue Chancellor Palpatine from Count Dooku's pre-ordained “grip”; Dooku is beheaded by Anakin who defeats him in … Continue reading Emperor Palpatine’s Political Rise: Star Wars: Episode III