In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

Two types of films: those that employ the resources of the theater (actors, direction etc...) and use the camera in order to reproduce; those that employ the resources of cinematography and use the camera to create. Robert Bresson, Notes on the Cinematographer Robert Bresson, a French director who gave us many masterpieces, Au Hasard Balthazar, … Continue reading In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

The Nameless God: Ingmar Bergman’s Mythical Tale “The Virgin Spring”

  Ingmar Bergman's The Virgin Spring is an adaptation of a thirteen century Swedish ballad. Christanity became a state religion in Sweden in the twelfth century, while the process of Christianization of Sweden began roughly in the ninth century. This means that the tale we witness on the screen, portrays an age in which Christianity … Continue reading The Nameless God: Ingmar Bergman’s Mythical Tale “The Virgin Spring”

January – Black and White European Cinema Month

The first article I have published this year on this site was about a contemporary black-and-white Hungarian film Werckmeister Harmonies (2000), with the title “A Mortal God”. In this article, I explored the apocalyptic symbolism behind a decaying whale, and the pessimist philosophy of cosmic proportions presented in the film. Later, another article about a … Continue reading January – Black and White European Cinema Month

Fascism and the Father Figure in Bertolucci’s “The Conformist”

Bernardo Bertolucci's tour de force follows a fascist agent of the secret police whose assignment is to assassinate his former university professor. Set mostly in 1938., it doesn't deal with broader societal aspects of the rulling regime, it is a study of a personality, Marcello's, who willingly serves the fascist regime. When one of the … Continue reading Fascism and the Father Figure in Bertolucci’s “The Conformist”