On the Role and Power of Film Criticism

For Martin Heidegger, the role of linguistic poetry is in preserving the primordial poetry of language. “Other modes of poetry, such as visual arts and architecture, only occur within the clearing of beings, which is opened by language.”[1] In Heidegger's words: “Building and plastic creation, on the other hand, happen, always and only, in the … Continue reading On the Role and Power of Film Criticism

In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

Two types of films: those that employ the resources of the theater (actors, direction etc...) and use the camera in order to reproduce; those that employ the resources of cinematography and use the camera to create. Robert Bresson, Notes on the Cinematographer Robert Bresson, a French director who gave us many masterpieces, Au Hasard Balthazar, … Continue reading In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

In Federico Fellini’s Words “Movies = Dreams“

Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream. Federico Fellini … Continue reading In Federico Fellini’s Words “Movies = Dreams“

In Michael Haneke’s Words “Confrontation with the Unknown”

“I like the multiplicity of books, because each book is different in the mind of each reader. It's the same with this film - if 300 people are in a cinema watching it, they will all see a different film, so in a way there are thousands of different versions of "Caché (Hidden)". The point … Continue reading In Michael Haneke’s Words “Confrontation with the Unknown”

In Béla Tarr’s Words “Evolution in Understanding of Art, Life and Cinema”

“At the beginning of my career, I had a lot of social anger. I just wanted to tell you how fucked up the society is. This was the beginning. Afterwards, I began to understand that the problems were not only social; they are deeper. I thought they were only ontological and when I understood more … Continue reading In Béla Tarr’s Words “Evolution in Understanding of Art, Life and Cinema”

Reunions on Christmas Eve in Satoshi Kon’s “Tokyo Godfathers”

Satoshi Kon's wonderful anime depicts the Christmas Eve of three homeless bums (self-proclaimed) who listen to a public sermon and watch a play celebrating the birth of Christ, so they can eat afterwards. One of them, Gin, says: “Joy to the world, food has come”. Soon, they find a baby in the trash, and the … Continue reading Reunions on Christmas Eve in Satoshi Kon’s “Tokyo Godfathers”

In David Lynch’s Words “The Idea Tells You Everything”

“The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. … Continue reading In David Lynch’s Words “The Idea Tells You Everything”

The Rule of Law’s Absence in “The Mandalorian” – Chapters I-III

The Mandalorian takes place some time after the fall of the Empire, in the outer reaches of the galaxy, which evades the authority of the New Republic. As we witness the beginning of the show, we see the setting similar to that of a western movie. A bar with thugs, and the hero, the Mandalorian … Continue reading The Rule of Law’s Absence in “The Mandalorian” – Chapters I-III

Silence (Martin Scorsese, 2016) “The Dark Night of the Soul”

Earlier this year, I wrote an article about this very film, “Last Breaths of Christendom in the Land of the Rising Son”, emphasizing the role of the Japanese state (Tokugawa Shogunate) and the Hobbesian reading which implies that the state proscribes the teachings and religions practiced by the populace; in this case the state religion … Continue reading Silence (Martin Scorsese, 2016) “The Dark Night of the Soul”