On the Role and Power of Film Criticism

For Martin Heidegger, the role of linguistic poetry is in preserving the primordial poetry of language. “Other modes of poetry, such as visual arts and architecture, only occur within the clearing of beings, which is opened by language.”[1] In Heidegger's words: “Building and plastic creation, on the other hand, happen, always and only, in the … Continue reading On the Role and Power of Film Criticism

Early Spring (Zagreb, Croatia; May 1st 2020)

To keep this blog film-related, I decided that the title of each subsequent post dealing with my experiences after the Zagreb earthquake, and the destruction of my home, will be the film title of a great film I love, with a symbolic undertone. For this post, I chose Yasujirō Ozu's Early Spring. Although it is … Continue reading Early Spring (Zagreb, Croatia; May 1st 2020)

In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

Two types of films: those that employ the resources of the theater (actors, direction etc...) and use the camera in order to reproduce; those that employ the resources of cinematography and use the camera to create. Robert Bresson, Notes on the Cinematographer Robert Bresson, a French director who gave us many masterpieces, Au Hasard Balthazar, … Continue reading In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

The Nameless God: Ingmar Bergman’s Mythical Tale “The Virgin Spring”

  Ingmar Bergman's The Virgin Spring is an adaptation of a thirteen century Swedish ballad. Christanity became a state religion in Sweden in the twelfth century, while the process of Christianization of Sweden began roughly in the ninth century. This means that the tale we witness on the screen, portrays an age in which Christianity … Continue reading The Nameless God: Ingmar Bergman’s Mythical Tale “The Virgin Spring”

In Michael Haneke’s Words “Confrontation with the Unknown”

“I like the multiplicity of books, because each book is different in the mind of each reader. It's the same with this film - if 300 people are in a cinema watching it, they will all see a different film, so in a way there are thousands of different versions of "Caché (Hidden)". The point … Continue reading In Michael Haneke’s Words “Confrontation with the Unknown”

Emperor Palpatine’s Political Rise: Star Wars: Episode III

Before reading this essay, you can read the previous one: The Political Rise of Chancellor Palpatine. Auctoritas, non veritas facit legem [Authority, not truth creates the law] Thomas Hobbes, Leviathan, Chapter 24 Obi-Wan Kenobi and Anakin Skywalker heroically rescue Chancellor Palpatine from Count Dooku's pre-ordained “grip”; Dooku is beheaded by Anakin who defeats him in … Continue reading Emperor Palpatine’s Political Rise: Star Wars: Episode III

Chancellor Palpatine’s Political Rise: Star Wars: Episodes I & II

I will start the exposition of Chancellor Palpatine's sinister political genius which resulted in the overthrow of the Galactic Republic by writing about the events which took place in Star Wars: Episode I – The Phantom Menace. I will use Carl Schmitt's writings on dictatorship, sovereignty and the state of exception, which are extremely fruitful … Continue reading Chancellor Palpatine’s Political Rise: Star Wars: Episodes I & II