In the Realm of the Senses (Nagisa Oshima, 1976) “Transgressing the Taboo”

  The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain liberation. When that which one had wanted to see isn’t sufficiently revealed, however, the … Continue reading In the Realm of the Senses (Nagisa Oshima, 1976) “Transgressing the Taboo”

In Alejandro Jodorowsky’s Words “The Danger of Symbolism in Imagery”

“What I am trying to do when I use symbols is to awaken in your unconscious some reaction. I am very conscious of what I am using because symbols can be very dangerous. When we use normal language we can defend ourselves because our society is a linguistic society, a semantic society. But when you … Continue reading In Alejandro Jodorowsky’s Words “The Danger of Symbolism in Imagery”

Lost Highway (David Lynch, 1997) “This Is How I Remember It”

  The camera is focused on a highway, its yellow stripes are passing by rapidly, and Bowie’s song I'm Deranged is playing; a highly suggestive introduction into the film. In the opening shot, we see a man smoking a cigarette, by carefully following the narrative throughout the film, we can recollect that he is in … Continue reading Lost Highway (David Lynch, 1997) “This Is How I Remember It”

Portrait of a Lady on Fire (Céline Sciamma, 2019) “Eurydice’s Gaze“

At the beginning of the film, we see a paintress conversing with her students, and in the background, there is a picture they brought, but they should not. The painting portrays a grayish landscape, and a woman with her dress on fire, slowly walking towards it centre, so it seems. The majority of the painting … Continue reading Portrait of a Lady on Fire (Céline Sciamma, 2019) “Eurydice’s Gaze“

In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

Two types of films: those that employ the resources of the theater (actors, direction etc...) and use the camera in order to reproduce; those that employ the resources of cinematography and use the camera to create. Robert Bresson, Notes on the Cinematographer Robert Bresson, a French director who gave us many masterpieces, Au Hasard Balthazar, … Continue reading In Robert Bresson’s Words “Life as a Stage and Life as a Dream”

The Virgin Spring (Ingmar Bergman, 1960) “The Nameless God”

  Ingmar Bergman's The Virgin Spring is an adaptation of a thirteen century Swedish ballad. Christanity became a state religion in Sweden in the twelfth century, while the process of Christianization of Sweden began roughly in the ninth century. This means that the tale we witness on the screen, portrays an age in which Christianity … Continue reading The Virgin Spring (Ingmar Bergman, 1960) “The Nameless God”

In Michael Haneke’s Words “Confrontation with the Unknown”

“I like the multiplicity of books, because each book is different in the mind of each reader. It's the same with this film - if 300 people are in a cinema watching it, they will all see a different film, so in a way there are thousands of different versions of "Caché (Hidden)". The point … Continue reading In Michael Haneke’s Words “Confrontation with the Unknown”