Early Spring (Zagreb, Croatia; May 1st 2020)

To keep this blog film-related, I decided that the title of each subsequent post dealing with my experiences after the Zagreb earthquake, and the destruction of my home, will be the film title of a great film I love, with a symbolic undertone. For this post, I chose Yasujirō Ozu's Early Spring. Although it is … Continue reading Early Spring (Zagreb, Croatia; May 1st 2020)

In Béla Tarr’s Words “Evolution in Understanding of Art, Life and Cinema”

“At the beginning of my career, I had a lot of social anger. I just wanted to tell you how fucked up the society is. This was the beginning. Afterwards, I began to understand that the problems were not only social; they are deeper. I thought they were only ontological and when I understood more … Continue reading In Béla Tarr’s Words “Evolution in Understanding of Art, Life and Cinema”

Celebration of Life’s Evening in Paolo Sorrentino’s “Youth”

To the poet, to the philosopher, to the saint, all things are friendly and sacred, all events profitable, all days holy, all men divine. Ralph Waldo Emerson We might add that this applies to the filmmakers like Paolo Sorrentino as well. Sorrentino portrays the holiness of days passing and the divine in men with particular … Continue reading Celebration of Life’s Evening in Paolo Sorrentino’s “Youth”

Path to Completion in “Never Let Me Go”

  Title card: The breakthrough in medical science came in 1952. Doctors could now cure the previously incurable. By 1967, life expectancy passed 100 years. Never Let Me Go is based on a novel by Kazuo Ishiguro; the film describes the dystopian reality which takes place more than 50 years before the film was made. … Continue reading Path to Completion in “Never Let Me Go”

Nick Cave Speaking the Unspeakable in the Stunning Documentary “One More Time with Feeling”

  William Faulkner once wrote: Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. These words, from the novel Light in August, have the quality of a prose poem. Their meaning eludes me, just like the understanding of this documentary eludes me. Its elusion is associated with its nature, the articulation … Continue reading Nick Cave Speaking the Unspeakable in the Stunning Documentary “One More Time with Feeling”

Romanticization of the Staasi in “The Lives of Others”: Auschwitz of the Soul

Introductory remarks: The painting selected alongside the headline of the article is Ernst Ludwig Kirchner's "Mountains and Houses In the Snow". His expressionism conveys the overstressed colors which are on the verge of puncture. For this article, white and its sublime horror presented in the painting are particularly interesting. The symbolism of this use of … Continue reading Romanticization of the Staasi in “The Lives of Others”: Auschwitz of the Soul