In Alejandro Jodorowsky’s Words “The Danger of Symbolism in Imagery”

“What I am trying to do when I use symbols is to awaken in your unconscious some reaction. I am very conscious of what I am using because symbols can be very dangerous. When we use normal language we can defend ourselves because our society is a linguistic society, a semantic society. But when you … Continue reading In Alejandro Jodorowsky’s Words “The Danger of Symbolism in Imagery”

5 Films Portraying the Fall of 20th-century Empires and Dictatorships

This list deals with two Asian emperors who lost their empire in the course of their lives, the Chinese Emperor Puyi and the Japanese Emperor Hirohito, and two totalitarian leades Hitler and Stalin. The first lost his totalitarian empire before he died, while the second died of natural causes and his legacy was swiftly replaced, … Continue reading 5 Films Portraying the Fall of 20th-century Empires and Dictatorships

Werckmeister Harmonies (Béla Tarr, 2000) “A Mortal God”

Valuska, a dreamy, and intellectually “slow” postman, with a poetic understanding of his surroundings, stages a little scene with a bunch of weary drunkards, in a bar, at the very beginning of the film. He arranges the drunkards to act the roles of the the Moon and the Earth, as they revolve around the Sun. … Continue reading Werckmeister Harmonies (Béla Tarr, 2000) “A Mortal God”

The Ominous Political Genius of Emperor Palpatine

Before reading this essay, you can read the previous one The Sinister Political Genius of Chancellor Palpatine   Auctoritas, not veritas facit legem [Authority, not truth creates the law] Thomas Hobbes, Leviathan, Chapter 24 Obi-Wan Kenobi and Anakin Skywalker heroically rescue Chancellor Palpatine from Count Dooku's pre-ordained “grip”; Dooku is beheaded by Anakin who defeats … Continue reading The Ominous Political Genius of Emperor Palpatine

The Sinister Political Genius of Chancellor Palpatine

I will start the exposition of Chancellor Palpatine's sinister political genius which resulted in the overthrow of the Galactic Republic by writing about the events which took place in Star Wars: Episode I – The Phantom Menace. I will use Carl Schmitt's writings on dictatorship, sovereignty and the state of exception, which are extremely fruitful … Continue reading The Sinister Political Genius of Chancellor Palpatine

The Mandalorian – Chapters I-III “Rule of Law’s Absence”

The Mandalorian takes place some time after the fall of the Empire, in the outer reaches of the galaxy, which evades the authority of the New Republic. As we witness the beginning of the show, we see the setting similar to that of a western movie. A bar with thugs, and the hero, the Mandalorian … Continue reading The Mandalorian – Chapters I-III “Rule of Law’s Absence”

Captain America: The Winter Soldier (MCU, 2014) “Freedom or Security?”

Chris Evans, the actor who impersonated Captain America, said the following words regarding his character's transition from the WWII era to the modern day: “It's not so much about his shock with [technology]... It's more about the societal differences. He's gone from the '40s to today; he comes from a world where people were a … Continue reading Captain America: The Winter Soldier (MCU, 2014) “Freedom or Security?”

Akira (Katsuhiro Otomo, 1988) “Destruction as the Cause of Becoming”

I found Akira, a landmark animated film which introduced the Japanese animated films to the Western audience, to be an eclectic mess. During the first and even the second watching of the film it seemed that way. Later, as I managed to put the pieces together (and some parts of the film are fragments of … Continue reading Akira (Katsuhiro Otomo, 1988) “Destruction as the Cause of Becoming”

In Andrei Tarkovsky’s Words: “Russia’s Michelangelo and Tyranny of the Spirit”

An artist never works under ideal conditions. If they existed, his work wouldn’t exist, for the artist does not live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would … Continue reading In Andrei Tarkovsky’s Words: “Russia’s Michelangelo and Tyranny of the Spirit”

Nausicaä of the Valley of the Wind (Hayao Miyazaki, 1984) “Purity of Earth”

From the very first scene of Nausicaä we can see that we are in a place of magical beauty. The trees, a windmill and the surroundings are coated in what looks like a spider-web or frozen snow; the flakes are falling around a man riding strange creatures, wearing a mask, looking bird-like. The man breaks … Continue reading Nausicaä of the Valley of the Wind (Hayao Miyazaki, 1984) “Purity of Earth”