In Alejandro Jodorowsky’s Words “The Danger of Symbolism in Imagery”

“What I am trying to do when I use symbols is to awaken in your unconscious some reaction. I am very conscious of what I am using because symbols can be very dangerous. When we use normal language we can defend ourselves because our society is a linguistic society, a semantic society. But when you … Continue reading In Alejandro Jodorowsky’s Words “The Danger of Symbolism in Imagery”

5 Films Portraying the Fall of 20th-century Empires and Dictatorships

This list deals with two Asian emperors who lost their empire in the course of their lives, the Chinese Emperor Puyi and the Japanese Emperor Hirohito, and two totalitarian leades Hitler and Stalin. The first lost his totalitarian empire before he died, while the second died of natural causes and his legacy was swiftly replaced, … Continue reading 5 Films Portraying the Fall of 20th-century Empires and Dictatorships

In Yasujirô Ozu’s Words: “The Change of Seasons”

I tried to show the collapse of the Japanese family system through showing children growing up. Yasujirô Ozu Ozu’s post-war work, during the time when he made his most memorable films, is characterized by the same theme which is presented over and over. In his own words, he presents the “collapse of the Japanese family … Continue reading In Yasujirô Ozu’s Words: “The Change of Seasons”

Harakiri (Masaki Kobayashi, 1962) “Bloody Code”

Masaki Kobayashi’s Harakiri belongs to the jidaigeki genre (period piece). It follows the period shortly after the battle at Sekigahara and the establishemnt of the Tokugawa shogunate (1630). The film begins with a short exposition by the official of House Iyi, who talks about the everyday life of the samurai warlord. It is a perspective … Continue reading Harakiri (Masaki Kobayashi, 1962) “Bloody Code”