Uncharted Territory: 5 Films To Be Watched As A Nietzschean Test of Will

When Nietzsche’s philosophy is taken into account, the phrase “test of will” cannot be found in the original texts of the philosopher, but it appears in the interpretations. To be more specific, in the interpretation of Cormac McCarthy’s novel No Country for Old Men, put on the silver screen by the legendary Coen Brothers. Chigurh,… Continue reading Uncharted Territory: 5 Films To Be Watched As A Nietzschean Test of Will

In Ingmar Bergman’s Words: “Music and Film: Image of Poetic and Musical Erotic”

When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with… Continue reading In Ingmar Bergman’s Words: “Music and Film: Image of Poetic and Musical Erotic”

Harakiri (Masaki Kobayashi, 1962) “Bloody Code”

Masaki Kobayashi’s Harakiri belongs to the jidaigeki genre (period piece). It follows the period shortly after the battle at Sekigahara and the establishemnt of the Tokugawa shogunate (1630). The film begins with a short exposition by the official of House Iyi, who talks about the everyday life of the samurai warlord. It is a perspective… Continue reading Harakiri (Masaki Kobayashi, 1962) “Bloody Code”