Uncharted Territory: 5 Films To Be Watched As A Nietzschean Test of Will

When Nietzsche’s philosophy is taken into account, the phrase “test of will” cannot be found in the original texts of the philosopher, but it appears in the interpretations. To be more specific, in the interpretation of Cormac McCarthy’s novel No Country for Old Men, put on the silver screen by the legendary Coen Brothers. Chigurh, … Continue reading Uncharted Territory: 5 Films To Be Watched As A Nietzschean Test of Will

Perfect Blue (Satoshi Kon, 1997) “I Am Who I Am!”

Satoshi Kon is arguably, alongside Hayao Miyazaki, the most important Japanese director of animated films. Perfect Blue is his first film and this directorial debut can be compared to David Lynch’s Eraserhead due to sheer boldness and far-reaching artistic vision. The film begins with a show staged for children featuring a Japanese version of Power … Continue reading Perfect Blue (Satoshi Kon, 1997) “I Am Who I Am!”

Annihilation (Alex Garland, 2018) “Thanatic Journey into the Unconscious”

“For me, [Annihilation] was a film about the nature of self-destruction… it was about an observation I made, which is that everybody appears to be self-destructive. Some people are very obviously self-destructive because they’re addicted to heroin or alcohol… Other people are very comfortable in their own skin, and they’ve got a fantastic job and … Continue reading Annihilation (Alex Garland, 2018) “Thanatic Journey into the Unconscious”

In Wong Kar-wai’s Words “Film Genre As A Uniform”

I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else. But this is the starting point, and the best … Continue reading In Wong Kar-wai’s Words “Film Genre As A Uniform”