Satoshi Kon's wonderful anime depicts the Christmas Eve of three homeless bums (self-proclaimed) who listen to a public sermon and watch a play celebrating the birth of Christ, so they can eat afterwards. One of them, Gin, says: “Joy to the world, food has come”. Soon, they find a baby in the trash, and the … Continue reading Reunions on Christmas Eve in Satoshi Kon’s “Tokyo Godfathers”
For the second part of the list dealing with the films based on the Brothers Grimm fairy tales, with a focus on the fairy tale Red Riding Hood, I chose a Japanese animated film "Jin-Roh: The Wolf Brigade" and a surrealist Czechoslovakian film "Valerie and Her Week of Wonders", films which deal with this fairy tale in an extraordinary way...
I found Akira, a landmark animated film which introduced the Japanese animated films to the Western audience, to be an eclectic mess. During the first and even the second watching of the film it seemed that way. Later, as I managed to put the pieces together (and some parts of the film are fragments of … Continue reading Neo-futuristic Combustible Decadence in “Akira”
Satoshi Kon is arguably, alongside Hayao Miyazaki, the most important Japanese director of animated films. Perfect Blue is his first film and this directorial debut can be compared to David Lynch’s Eraserhead due to sheer boldness and far-reaching artistic vision. The film begins with a show staged for children featuring a Japanese version of Power … Continue reading I Am Who I Am! – Identity Fragmentation in “Perfect Blue”
From the very first scene of Nausicaä we can see that we are in a place of magical beauty. The trees, a windmill and the surroundings are coated in what looks like a spider-web or frozen snow; the flakes are falling around a man riding strange creatures, wearing a mask, looking bird-like. The man breaks … Continue reading Other-worldly Environmentalism in Miyazaki’s “Nausicaä of the Valley of the Wind”
In 1995 Hayao Miyazaki took a group of artists and animators to the ancient forests of Yakushima, which inspired the landscapes in the film. At the beginning, the narrator says: “In ancient times, the land lay covered in forests, where from ages long past, dwelt the spirits of the gods. Back then, man and beast … Continue reading Fight for the Cursed World in Miyazaki’s “Princess Mononoke”