The Advent of “Joker” – A Pathological Struggle for Recognition

Editor’s Note: Since the film is in the cinemas at the moment while I am writing this article, I will not reveal any details about the film's plot, and I will certainly not write a value judgment of the film. Whether the film is enjoyable or not in the final verdict is a matter of … Continue reading The Advent of “Joker” – A Pathological Struggle for Recognition

Dionysiac Union with Art in Aronofsky’s “Black Swan”

Aronofsky’s Black Swan follows the ballet dancer Nina, who gets a part in the production of Tchaikovsky’s Swan Lake. She is fragile, innocent, fearful and pure, but lacks the feel for playing the Black Swan, while she is a perfect cast for the White Swan. In the performances of Tchaikovsky’s ballet, the same ballerina sometimes … Continue reading Dionysiac Union with Art in Aronofsky’s “Black Swan”

Vision of God as a Spider: Bergman’s “Through a Glass Darkly”

In the thirteenth chapter of the first epistle to the Corinthians, St Paul says: “For now we see through a glass, darkly; but then face to face: now I know in part; but then I shall know even as I also am known”. In these St Paul’s words, practically the whole film Through the Glass … Continue reading Vision of God as a Spider: Bergman’s “Through a Glass Darkly”

I Am Who I Am! – Identity Fragmentation in “Perfect Blue”

Satoshi Kon is arguably, alongside Hayao Miyazaki, the most important Japanese director of animated films. Perfect Blue is his first film and this directorial debut can be compared to David Lynch’s Eraserhead due to sheer boldness and far-reaching artistic vision. The film begins with a show staged for children featuring a Japanese version of Power … Continue reading I Am Who I Am! – Identity Fragmentation in “Perfect Blue”