Dark City (Alex Proyas, 1998) “What Makes Us Human?”

For this essay, I chose the title “What makes us human?”, stereotypical for writing about science-fiction films for instance Blade Runner, although I believe that Ridley Scott’s film does not deal with that particular question, but this is a topic for another essay. Be it as it may, Dark City does deal with this question,… Continue reading Dark City (Alex Proyas, 1998) “What Makes Us Human?”

Perfect Blue (Satoshi Kon, 1997) “I Am Who I Am!”

Satoshi Kon is arguably, alongside Hayao Miyazaki, the most important Japanese director of animated films. Perfect Blue is his first film and this directorial debut can be compared to David Lynch’s Eraserhead due to sheer boldness and far-reaching artistic vision. The film begins with a show staged for children featuring a Japanese version of Power… Continue reading Perfect Blue (Satoshi Kon, 1997) “I Am Who I Am!”

In Wong Kar-wai’s Words: “Film Genre As A Uniform”

I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else. But this is the starting point, and the best… Continue reading In Wong Kar-wai’s Words: “Film Genre As A Uniform”

Vertigo (Alfred Hitchcock, 1958) “Reliving the Memory”

Alfred Hitchock’s desire was to make movies in which dream and reality are indistinguishable. In his Vertigo, he creates a nightmarish world in which Scottie (James Stewart) draws the female progatonist into a surreal ordeal, or it is the other way around; at certain moments we cannot really tell. The film is centered around several… Continue reading Vertigo (Alfred Hitchcock, 1958) “Reliving the Memory”