What Makes us Human? – the Enigma of “Dark City”

For this essay, I chose the title “What makes us human?”, stereotypical for writing about science-fiction films for instance Blade Runner, although I believe that Ridley Scott’s film does not deal with that particular question, but this is a topic for another essay. Be it as it may, Dark City does deal with this question, … Continue reading What Makes us Human? – the Enigma of “Dark City”

Reliving the Memory – Alfred Hitchcock’s “Vertigo”

Alfred Hitchock’s desire was to make movies in which dream and reality are indistinguishable. In his Vertigo, he creates a nightmarish world in which Scottie (James Stewart) draws the female progatonist into a surreal ordeal, or it is the other way around; at certain moments we cannot really tell. The film is centered around several … Continue reading Reliving the Memory – Alfred Hitchcock’s “Vertigo”

Soulless and the Sublime in Terrence Malick’s “Badlands”

[This article has been edited on 11.3.2018] Badlands, Terrence Malick's first film is loosely based on real-life events following the murders a couple had commited in 1958, in the United States.  In 1993 the United States National Film Registry elected Badlands for preservation since they considered the film to be “culturally, historically and aesthetically significant”. The … Continue reading Soulless and the Sublime in Terrence Malick’s “Badlands”

Poetry of Destructive Love in Wong Kar-wai’s “2046”

Wong Kar-wai is not just a movie director, he is a psychologist and a poet dealing with romantic love. His style is so nuanced and brought to perfection that he can be put in the same sentence with the great Italian poet Dante Alighieri; the early poems of the aforementioned poet are not his authentically, … Continue reading Poetry of Destructive Love in Wong Kar-wai’s “2046”