Vertigo (Alfred Hitchcock, 1958) “Reliving the Memory”

Alfred Hitchock’s desire was to make movies in which dream and reality are indistinguishable. In his Vertigo, he creates a nightmarish world in which Scottie (James Stewart) draws the female progatonist into a surreal ordeal, or it is the other way around; at certain moments we cannot really tell. The film is centered around several … Continue reading Vertigo (Alfred Hitchcock, 1958) “Reliving the Memory”

Badlands (Terrence Malick, 1973) “Romantic and Soulless Killing Spree”

[This article has been edited on 11.3.2018] Badlands, Terrence Malick's first film is loosely based on real-life events following the murders a couple had commited in 1958, in the United States.  In 1993 the United States National Film Registry elected Badlands for preservation since they considered the film to be “culturally, historically and aesthetically significant”. The … Continue reading Badlands (Terrence Malick, 1973) “Romantic and Soulless Killing Spree”

Persona (Ingmar Bergman, 1966) “The Sound of Silence”

Ingmar Bergman is a director who can deliver more in a half an hour of a film than most directors do in their career. A true giant and a poet of human suffering; he deals with the pain of being a man in ways similar to those of Michael Haneke. Both of them show the … Continue reading Persona (Ingmar Bergman, 1966) “The Sound of Silence”

Mean Streets (Martin Scorsese, 1973) “Benevolence Is Akin to A Flame”

Mean Streets is one of Martin Scorsese’s early pictures and a very personal one. As it is well-known, he wanted to become a Catholic priest and grew up in Manhattan, in Little Italy, a famous New York neighbourhood. He later reminisced that it was like a “Sicilian village”. The film follows Johnny Boy (Robert De Niro), … Continue reading Mean Streets (Martin Scorsese, 1973) “Benevolence Is Akin to A Flame”