Tag: Love
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Chastity and Carnality Shot in Monochrome: Pawlikowski’s “Ida”
Pawlikowski once said that “Ida doesn’t set out to explain history. That’s not what it’s about. The story is focused on very concrete and complex characters who are full of humanity with all its paradoxes. They’re not pawns used to illustrate some version of history or an ideology.” I find this to be immensely…
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Merry Christmas! (in Film Stills)
I wish you a very merry Christmas and hope you are spending a joyous and peaceful day!
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Reunions on Christmas Eve in Satoshi Kon’s “Tokyo Godfathers”
Satoshi Kon’s wonderful anime depicts the Christmas Eve of three homeless bums (self-proclaimed) who listen to a public sermon and watch a play celebrating the birth of Christ, so they can eat afterwards. One of them, Gin, says: “Joy to the world, food has come”. Soon, they find a baby in the trash, and the…
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Silence (Martin Scorsese, 2016) “The Dark Night of the Soul”
Earlier this year, I wrote an article about this very film, “Last Breaths of Christendom in the Land of the Rising Son”, emphasizing the role of the Japanese state (Tokugawa Shogunate) and the Hobbesian reading which implies that the state proscribes the teachings and religions practiced by the populace; in this case the state religion…
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Vision of God as a Spider: Bergman’s “Through a Glass Darkly”
In the thirteenth chapter of the first epistle to the Corinthians, St Paul says: “For now we see through a glass, darkly; but then face to face: now I know in part; but then I shall know even as I also am known”. In these St Paul’s words, practically the whole film Through the Glass…
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What Makes us Human? – the Enigma of “Dark City”
The film is set in a city where there is no sun, it is shrouded in eternal darkness. John Murdoch awakes in a bathtub, disoriented, not knowing his own name, or anything about himself. In other words, he is in the same position as the viewer, darkness (lack of cognition) pervades not only the external,…
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Silence (Martin Scorsese, 2016) “Last Breaths of Christendom In the Land of the Rising Son”
The first European Christian missionaries landing in Japan… found their hosts totally unprepared for the message of salvation they brought. Not indifferent however. On the contrary, their preaching… though it was radically at odds with native beliefs, it was warmly received… Baptismal waters flowed. Japan might have gone Christian. But it was not to be.…
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Never Let Me Go (2010) – Path to Completion
Title card: The breakthrough in medical science came in 1952. Doctors could now cure the previously incurable. By 1967, life expectancy passed 100 years. Never Let Me Go is based on a novel by Kazuo Ishiguro; the film describes the dystopian reality which takes place more than 50 years before the film was made.…
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Hiroshima Mon Amour (Alain Resnais, 1959) “…Nevers Mon Amour”
Hiroshima Mon Amour, directed by Alain Resnais, opens with a close-up of an arm and body amorously entangled. They are in the dark, their bodies are joined and small particles, resembling ashes or sand (as the sands of time), are falling and covering them. They are caressing and soon begin to glow, as they are…
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Tears at a Noh Play in Yasujirō Ozu’s “Late Spring”
There is a certain sadness that permeates Ozu’s films, of the passing of time and an era; of transience, of a time that will be long gone, but needs to be preserved. This is most particularly true for his so-called “Noriko Trilogy”, which stars Setsuko Hara, Ozu’s muse; Last Spring is a part of the…
Vigour of Film Lines 