My dear friends. My home was destroyed in the earthquake, in Zagreb, Croatia. I woke up yesterday at 6:23, my whole room and myself were shaking, just like the guy who is in an "electric chair" at the end of Lynch's Lost Highway. Since at first, I couldn't tell what was happening, I started to … Continue reading Annihilation (Zagreb, Croatia; March 23d, 2020)
Pawlikowski once said that “Ida doesn’t set out to explain history. That’s not what it’s about. The story is focused on very concrete and complex characters who are full of humanity with all its paradoxes. They’re not pawns used to illustrate some version of history or an ideology.” I find this to be immensely … Continue reading Chastity and Carnality Shot in Monochrome: Pawlikowski’s “Ida”
I wish you a very merry Christmas and hope you are spending a joyous and peaceful day!
Satoshi Kon's wonderful anime depicts the Christmas Eve of three homeless bums (self-proclaimed) who listen to a public sermon and watch a play celebrating the birth of Christ, so they can eat afterwards. One of them, Gin, says: “Joy to the world, food has come”. Soon, they find a baby in the trash, and the … Continue reading Reunions on Christmas Eve in Satoshi Kon’s “Tokyo Godfathers”
“The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. … Continue reading In David Lynch’s Words “The Idea Tells You Everything”
Earlier this year, I wrote an article about this very film, “Last Breaths of Christendom in the Land of the Rising Son”, emphasizing the role of the Japanese state (Tokugawa Shogunate) and the Hobbesian reading which implies that the state proscribes the teachings and religions practiced by the populace; in this case the state religion … Continue reading Silence (Martin Scorsese, 2016) “The Dark Night of the Soul”
In the thirteenth chapter of the first epistle to the Corinthians, St Paul says: “For now we see through a glass, darkly; but then face to face: now I know in part; but then I shall know even as I also am known”. In these St Paul’s words, practically the whole film Through the Glass … Continue reading Vision of God as a Spider in Bergman’s “Through a Glass Darkly”