Silence (Martin Scorsese, 2016) “The Dark Night of the Soul”

Earlier this year, I wrote an article about this very film, “Last Breaths of Christendom in the Land of the Rising Son”, emphasizing the role of the Japanese state (Tokugawa Shogunate) and the Hobbesian reading which implies that the state proscribes the teachings and religions practiced by the populace; in this case the state religion … Continue reading Silence (Martin Scorsese, 2016) “The Dark Night of the Soul”

In Martin Scorsese’s Words “Cinema and Spirituality”

  When we talk about personal expression I’m often reminded of [Elia] Kazan’s film America America – the story of his uncle’s journey from Anitolia to America; the story of so many immigrants who came to this country from a very, very foreign land. I kind of identified with it and was very moved by it. Actually, … Continue reading In Martin Scorsese’s Words “Cinema and Spirituality”

Path to Completion in “Never Let Me Go”

  Title card: The breakthrough in medical science came in 1952. Doctors could now cure the previously incurable. By 1967, life expectancy passed 100 years. Never Let Me Go is based on a novel by Kazuo Ishiguro; the film describes the dystopian reality which takes place more than 50 years before the film was made. … Continue reading Path to Completion in “Never Let Me Go”

Celestial Purity and Carnality in Wim Wenders’ “Wings of Desire”

The original title of the film Wings of Desire is Der Himmel über Berlin (Sky Over Berlin); the English title beautifully captures the main antinomy present in the film – the one between spirituality and celestial purity and the carnal, eroticism and sensuality. In Marion’s character, the sensuality and existentialist wondering about being-in-the-world (Heidegger) are … Continue reading Celestial Purity and Carnality in Wim Wenders’ “Wings of Desire”