Death In Venice (Luchino Visconti, 1971) “Beauty Amidst Decay”

Luchino Visconti’s Death In Venice is an adaptation of Thomas Mann’s novel; it follows Gustav von Aschenbach (Dirk Bogarde), a composer who, due to ill health, comes to Venice. The film explores the encounter of true beauty amidst the decay – Venice is struck down by a plague toward the end of the film. The … Continue reading Death In Venice (Luchino Visconti, 1971) “Beauty Amidst Decay”

Wings of Desire (Wim Wenders, 1987) “Celestial Purity and Carnality”

 The original title of the film Wings of Desire is Der Himmel über Berlin (Sky Over Berlin); the English title beautifully captures the main antinomy present in the film – the one between spirituality and celestial purity and the carnal, eroticism and sensuality. In Marion’s character, the sensuality and existentalist wondering about being-in-the-world (Heidegger) are … Continue reading Wings of Desire (Wim Wenders, 1987) “Celestial Purity and Carnality”

L’Eclisse (Michelangelo Antonioni, 1962) “Looming Shadows of Modernity”

It is somewhat ironic that we are commemorating a total solar eclipse which occurred in the United States a week ago, with a film that can be easily interpreted through Marxist lenses. Although, since the Cold War is over, one can afford such leeway. Speaking of the Cold War, L’eclisse was filmed in the aftermath … Continue reading L’Eclisse (Michelangelo Antonioni, 1962) “Looming Shadows of Modernity”

2046 (Wong Kar-wai, 2004) “Poetry of Destructive Love”

Wong Kar-wai is not just a movie director, he is a psychologist and a poet dealing with romantic love. His style is so nuanced and brought to perfection that he can be put in the same sentence with the great Italian poet Dante Alighieri; the early poems of the aforemention poet are not his authentically, … Continue reading 2046 (Wong Kar-wai, 2004) “Poetry of Destructive Love”

Mean Streets (Martin Scorsese, 1973) “Benevolence Is Akin to A Flame”

Mean Streets is one of Martin Scorsese’s early pictures and a very personal one. As it is well-known, he wanted to become a Catholic priest and grew up in Manhattan, in Little Italy, a famous New York neighbourhood. He later reminisced that it was like a “Sicilian village”. The film follows Johnny Boy (Robert De Niro), … Continue reading Mean Streets (Martin Scorsese, 1973) “Benevolence Is Akin to A Flame”