Looming Shadows of Modernity in Antonioni’s “L’Eclisse”

It is somewhat ironic that we are commemorating a total solar eclipse which occurred in the United States a week ago, with a film that can be easily interpreted through Marxist lenses. Although, since the Cold War is over, one can afford such leeway. Speaking of the Cold War, L’eclisse was filmed in the aftermath … Continue reading Looming Shadows of Modernity in Antonioni’s “L’Eclisse”