Portrait of a Lady on Fire (Céline Sciamma, 2019) “Eurydice’s Gaze“

At the beginning of the film, we see a paintress conversing with her students, and in the background, there is a picture they brought, but they should not. The painting portrays a grayish landscape, and a woman with her dress on fire, slowly walking towards it centre, so it seems. The majority of the painting … Continue reading Portrait of a Lady on Fire (Céline Sciamma, 2019) “Eurydice’s Gaze“

The Mandalorian – Chapters I-III “Rule of Law’s Absence”

The Mandalorian takes place some time after the fall of the Empire, in the outer reaches of the galaxy, which evades the authority of the New Republic. As we witness the beginning of the show, we see the setting similar to that of a western movie. A bar with thugs, and the hero, the Mandalorian … Continue reading The Mandalorian – Chapters I-III “Rule of Law’s Absence”

Harakiri (Masaki Kobayashi, 1962) “Bloody Code”

Masaki Kobayashi’s Harakiri belongs to the jidaigeki genre (period piece). It follows the period shortly after the battle at Sekigahara and the establishemnt of the Tokugawa shogunate (1630). The film begins with a short exposition by the official of House Iyi, who talks about the everyday life of the samurai warlord. It is a perspective … Continue reading Harakiri (Masaki Kobayashi, 1962) “Bloody Code”

Late Spring (Yasujirō Ozu, 1949) “Tears at A Noh Play”

There is a certain sadness that permeates Ozu’s films, of the passing of time and an era; of transience, of a time that will be long gone, but needs to be preserved. This is most particularly true for his so-called “Noriko Trilogy”, which stars Setsuko Hara, Ozu’s muse; Last Spring is a part of the … Continue reading Late Spring (Yasujirō Ozu, 1949) “Tears at A Noh Play”