The Rule of Law’s Absence in “The Mandalorian” – Chapters I-III

The Mandalorian takes place some time after the fall of the Empire, in the outer reaches of the galaxy, which evades the authority of the New Republic. As we witness the beginning of the show, we see the setting similar to that of a western movie. A bar with thugs, and the hero, the Mandalorian … Continue reading The Rule of Law’s Absence in “The Mandalorian” – Chapters I-III

Bloody Code in the Classic of Japanese Cinema “Harakiri”

Masaki Kobayashi’s Harakiri belongs to the jidaigeki genre (period piece). It follows the period shortly after the battle at Sekigahara and the establishemnt of the Tokugawa shogunate (1630). The film begins with a short exposition by the official of House Iyi, who talks about the everyday life of the samurai warlord. It is a perspective … Continue reading Bloody Code in the Classic of Japanese Cinema “Harakiri”

Tears at a Noh Play in Yasujirō Ozu’s “Late Spring”

There is a certain sadness that permeates Ozu’s films, of the passing of time and an era; of transience, of a time that will be long gone, but needs to be preserved. This is most particularly true for his so-called “Noriko Trilogy”, which stars Setsuko Hara, Ozu’s muse; Last Spring is a part of the … Continue reading Tears at a Noh Play in Yasujirō Ozu’s “Late Spring”