Mizoguchi’s “Sansho the Baillif”: Karl Marx in Heian Japan

Kenji Mizoguchi's Sanshô dayû is based on a folk tale taking place in the Heian period; Chinese and Buddhist influence, as well as the one of the Imperial power were at their summit. Mizoguchi is one of the greatest Japanese directors who created during the period of Japanese cinema which may very well be called its … Continue reading Mizoguchi’s “Sansho the Baillif”: Karl Marx in Heian Japan

Bloody Code in the Classic of Japanese Cinema “Harakiri”

Masaki Kobayashi’s Harakiri belongs to the jidaigeki genre (period piece). It follows the period shortly after the battle at Sekigahara and the establishemnt of the Tokugawa shogunate (1630). The film begins with a short exposition by the official of House Iyi, who talks about the everyday life of the samurai warlord. It is a perspective … Continue reading Bloody Code in the Classic of Japanese Cinema “Harakiri”