Bloody Code in the Classic of Japanese Cinema “Harakiri”

Masaki Kobayashi’s Harakiri belongs to the jidaigeki genre (period piece). It follows the period shortly after the battle at Sekigahara and the establishemnt of the Tokugawa shogunate (1630). The film begins with a short exposition by the official of House Iyi, who talks about the everyday life of the samurai warlord. It is a perspective … Continue reading Bloody Code in the Classic of Japanese Cinema “Harakiri”

Four Perspectives Echoing the Truth in Kurosawa’s “Rashōmon”

To claim that Akira Kurosawa is an enigmatic director would be an understatement. One of the greatest filmmakers in cinema history, but also a paradigm (and a synecdoche) of post-war Japan, he combines influences from Western literature (e.g. Dostoyevsky) and philosophy with distinctive Japanese aesthetics and tradition. After the American occupation, Japan found itself flooded … Continue reading Four Perspectives Echoing the Truth in Kurosawa’s “Rashōmon”