In Joel Coen’s Words: “Torturing Fictional Characters”

I guess there is a certain amount of poking fun at certain characters, but that’s because there is something amusing about them or about the way they behave, so I guess you can say that’s poking  fun at the character. But the character is your own invention, so who cares? Joel Coen Coen’s most elaborated… Continue reading In Joel Coen’s Words: “Torturing Fictional Characters”

5 Melancholic Films Which Can Inspire You Into Creativity (Melancolia I)

While interpreting Albert Dürer’s engraving Melancolia I, professor of art history Bonnie Noble writes: “Dürer’s intellect, introspection, and unrelenting perfectionism may have driven him to a state of melancholia—what is now known as depression. Dürer’s famed Melencolia I engraving of 1514 has been called the artist’s psychological self-portrait, and indeed the image does convey the terrible struggle… Continue reading 5 Melancholic Films Which Can Inspire You Into Creativity (Melancolia I)

In Stanley Kubrick’s Words: “3 Most Consistent and Original Contemporary Directors”

I believe Ingmar Bergman, Vittorio De Sica, and Federico Fellini are the only three filmmakers in the world who are not just artistic opportunists. By this I mean they don’t just sit and wait for a good story to come along and then make it. They have a point of view which is expressed over… Continue reading In Stanley Kubrick’s Words: “3 Most Consistent and Original Contemporary Directors”

Dark City (Alex Proyas, 1998) “What Makes Us Human?”

For this essay, I chose the title “What makes us human?”, stereotypical for writing about science-fiction films for instance Blade Runner, although I believe that Ridley Scott’s film does not deal with that particular question, but this is a topic for another essay. Be it as it may, Dark City does deal with this question,… Continue reading Dark City (Alex Proyas, 1998) “What Makes Us Human?”

Film Director As A Military Commander: The Case of Lieutenant Herzog

A film director has to convince a great number of people to follow him and work with him. I often say, although I am certainly not a militarist, that if you compare the production unit to an army, the script is the battle flag and the director is the commander in the front line. From… Continue reading Film Director As A Military Commander: The Case of Lieutenant Herzog