Fascism and the Father Figure in Bertolucci’s “The Conformist”

Bernardo Bertolucci's tour de force follows a fascist agent of the secret police whose assignment is to assassinate his former university professor. Set mostly in 1938., it doesn't deal with broader societal aspects of the rulling regime, it is a study of a personality, Marcello's, who willingly serves the fascist regime. When one of the … Continue reading Fascism and the Father Figure in Bertolucci’s “The Conformist”

Sins of the Father in the Melancholic Triumph “Manchester by the Sea”

A cynic would say that a razor blade should distributed alongside the DVD version of Manchester By The Sea, just like one music critic suggested regarding Leonard Cohen’s album Songs of Love and Hate. In that kind of reasoning there is a misunderstanding of the power of the melancholic experience when it is shown in … Continue reading Sins of the Father in the Melancholic Triumph “Manchester by the Sea”

Humanity on a Blacklist: Stanley Kubrick’s “Dr. Strangelove”

Dr. Strangelove, based on the Peter George novel Red Alert is clearly deeply rooted in its own time; shot when Cold War was in its zenith, yet it manages to speak to us. It will speak to us as long as Doomsday Machine in the form of the nuclear arsenal possessed by the major world powers … Continue reading Humanity on a Blacklist: Stanley Kubrick’s “Dr. Strangelove”

Discriminatory “Circle of Life” in Disney’s “Lion King”

  And all through the house we hear the hyena’s hymns Nick Cave Lion King opens with a song accompanied by beautiful scenery, showing the animals ranging from ants to elephants living in perfect harmony and joy: But the sun rolling high/through the sapphire sky/keeps great and small on the endless round/It’s the circle of … Continue reading Discriminatory “Circle of Life” in Disney’s “Lion King”