In Paul Verhoeven’s Words: “A Leap into the Unknown”

Verhoeven compared making RoboCop with making Elle and once said that the experience was a “leap into the unknown”. He elaborates it in an interview: So you go to an unknown part of the world where you don't know the people, and that's frightening. But also, at the same time, if you do it, it turns … Continue reading In Paul Verhoeven’s Words: “A Leap into the Unknown”

In Joel Coen’s Words: “Poking Fun at Characters”

I guess there is a certain amount of poking fun at certain characters, but that’s because there is something amusing about them or about the way they behave, so I guess you can say that’s poking  fun at the character. But the character is your own invention, so who cares? Joel Coen Coen’s most elaborated … Continue reading In Joel Coen’s Words: “Poking Fun at Characters”

In Yasujirô Ozu’s Words: “The Change of Seasons”

I tried to show the collapse of the Japanese family system through showing children growing up. Yasujirô Ozu Ozu’s post-war work, during the time when he made his most memorable films, is characterized by the same theme which is presented over and over. In his own words, he presents the “collapse of the Japanese family … Continue reading In Yasujirô Ozu’s Words: “The Change of Seasons”

In Stanley Kubrick’s Words: “3 Most Consistent and Original Contemporary Directors”

I believe Ingmar Bergman, Vittorio De Sica, and Federico Fellini are the only three filmmakers in the world who are not just artistic opportunists. By this I mean they don’t just sit and wait for a good story to come along and then make it. They have a point of view which is expressed over … Continue reading In Stanley Kubrick’s Words: “3 Most Consistent and Original Contemporary Directors”

In Akira Kurosawa’s Words: “Film Director As A Military Commander”

A film director has to convince a great number of people to follow him and work with him. I often say, although I am certainly not a militarist, that if you compare the production unit to an army, the script is the battle flag and the director is the commander in the front line. From … Continue reading In Akira Kurosawa’s Words: “Film Director As A Military Commander”

In Andrei Tarkovsky’s Words: “Russia’s Michelangelo and Tyranny of the Spirit”

An artist never works under ideal conditions. If they existed, his work wouldn’t exist, for the artist does not live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would … Continue reading In Andrei Tarkovsky’s Words: “Russia’s Michelangelo and Tyranny of the Spirit”

In Wong Kar-wai’s Words: “Film Genre As A Uniform”

I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else. But this is the starting point, and the best … Continue reading In Wong Kar-wai’s Words: “Film Genre As A Uniform”