Tag: Art
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Paul Atreides: Seer of the Holy War
In Denis Villeneuve’s Dune: Part One, under the influence of melange, spice which can be found only on Arrakis, Paul sees the visions of a holy war, and in shock, tells his mother: “It’s coming. I see a holy war spreading across the universe like unquenchable fire. A warrior religion that waves the Atreides banner…
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Religious Manipulation and Political Power: the Case of The Oracle of Delphi and Bene Gesserit from Dune Films
“The Delphic oracle, which for modern poets – Yeats, for example – can conjure up mystic romantic visions, was for Sophocles and his audience, a fact of life, an institution as present and solid, as uncompromising… as the Vatican is for us. States and individuals alike consulted it as a matter of course about important…
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The Chaos of the Stars in Werner Herzog’s “Heart of Glass”
Hias, the prophet, speaks: „ I look into the distance, to the end of the world. Before the day is over the end will come. First time will tumble, and then the earth. The clouds will begin to race, the earth boils over; this is the sign. This is the beginning of the end. The…
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Black Horse [Poem from the Yet Unpublished Book of Verses]
![Black Horse [Poem from the Yet Unpublished Book of Verses]](https://vigouroffilmlines.com/wp-content/uploads/2022/06/black-horse.jpg?w=1024)
Black horse in golden chains/ in the middle of the main square lies…
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Yukio Mishima on Visconti’s “The Damned”: Dangerous Decadence
In its Wagnerian manner, its German grotesquerie, its transvestitism, its nervous insanity, its ponderousness, its symphonic sense of psychological danger, its worship of the body, its unceasing dramatic tension, its excesses, its obsession with hurling every single character toward tragedy and death, its ostentation, its sensuality, its love of ritual and ceremony, its intoxication, and…
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Early Spring (Zagreb, Croatia; May 1st, 2020)
To keep this blog film-related, I decided that the title of each subsequent post dealing with my experiences after the Zagreb earthquake, and the destruction of my home, will be the film title of a great film I love, with a symbolic undertone. For this post, I chose Yasujirō Ozu’s Early Spring. Although it is…
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In Federico Fellini’s Words: Movies = Dreams
Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream. Federico Fellini…
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Chastity and Carnality Shot in Monochrome: Pawlikowski’s “Ida”
Pawlikowski once said that “Ida doesn’t set out to explain history. That’s not what it’s about. The story is focused on very concrete and complex characters who are full of humanity with all its paradoxes. They’re not pawns used to illustrate some version of history or an ideology.” I find this to be immensely…
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January – Black and White European Cinema Month
The first article I have published this year on this site was about a contemporary black-and-white Hungarian film Werckmeister Harmonies (2000), with the title “A Mortal God”. In this article, I explored the apocalyptic symbolism behind a decaying whale, and the pessimist philosophy of cosmic proportions presented in the film. Later, another article about a…
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Decay of a Mortal God: Béla Tarr’s “Werckmeister Harmonies”
Valuska, a dreamy, and intellectually “slow” postman, with a poetic understanding of his surroundings, stages a little scene with a bunch of weary drunkards, in a bar, at the very beginning of the film. He arranges the drunkards to act the roles of the the Moon and the Earth, as they revolve around the Sun.…
Vigour of Film Lines 