Death In Venice (Luchino Visconti, 1971) “Beauty Amidst Decay”

Luchino Visconti’s Death In Venice is an adaptation of Thomas Mann’s novel; it follows Gustav von Aschenbach (Dirk Bogarde), a composer who, due to ill health, comes to Venice. The film explores the encounter of true beauty amidst the decay – Venice is struck down by a plague toward the end of the film. The… Continue reading Death In Venice (Luchino Visconti, 1971) “Beauty Amidst Decay”

Late Spring (Yasujirō Ozu, 1949) “Tears at A Noh Play”

There is a certain sadness that permeates Ozu’s films, of the passing of time and an era; of transience, of a time that will be long gone, but needs to be preserved. This is most particularly true for his so-called “Noriko Trilogy”, which stars Setsuko Hara, Ozu’s muse; Last Spring is a part of the… Continue reading Late Spring (Yasujirō Ozu, 1949) “Tears at A Noh Play”

Three Colors: Blue (Krzysztof Kieślowski, 1993) “Blue Is the Coldest Color”

Three Colors: Blue came out half a year after the Maastricht Treaty was signed, transforming the European Community into the European Union. The film was supported by the Council of Europe, but mostly financed by the French. It celebrates the idea of the European unity and integration, but also the three principles of the French… Continue reading Three Colors: Blue (Krzysztof Kieślowski, 1993) “Blue Is the Coldest Color”

Wings of Desire (Wim Wenders, 1987) “Celestial Purity and Carnality”

 The original title of the film Wings of Desire is Der Himmel über Berlin (Sky Over Berlin); the English title beautifully captures the main antinomy present in the film – the one between spirituality and celestial purity and the carnal, eroticism and sensuality. In Marion’s character, the sensuality and existentalist wondering about being-in-the-world (Heidegger) are… Continue reading Wings of Desire (Wim Wenders, 1987) “Celestial Purity and Carnality”

Princess Mononoke (Hayao Miyazaki, 1997) “Fight for the Cursed World”

In 1995 Hayao Miyazaki took a group of artists and animators to the ancient forests of Yakushima, which inspired the landscapes in the film. At the beginning, the narrator says: “In ancient times, the land lay covered in forests, where from ages long past, dwelt the spirits of the gods. Back then, man and beast… Continue reading Princess Mononoke (Hayao Miyazaki, 1997) “Fight for the Cursed World”

L’Eclisse (Michelangelo Antonioni, 1962) “Looming Shadows of Modernity”

It is somewhat ironic that we are commemorating a total solar eclipse which occurred in the United States a week ago, with a film that can be easily interpreted through Marxist lenses. Although, since the Cold War is over, one can afford such leeway. Speaking of the Cold War, L’eclisse was filmed in the aftermath… Continue reading L’Eclisse (Michelangelo Antonioni, 1962) “Looming Shadows of Modernity”

2046 (Wong Kar-wai, 2004) “Poetry of Destructive Love”

Wong Kar-wai is not just a movie director, he is a psychologist and a poet dealing with romantic love. His style is so nuanced and brought to perfection that he can be put in the same sentence with the great Italian poet Dante Alighieri; the early poems of the aforemention poet are not his authentically,… Continue reading 2046 (Wong Kar-wai, 2004) “Poetry of Destructive Love”

Holy Motors (Leos Carax, 2012) “Inner Eye of the Beholder”

Holy Motors is a French film directed by Leos Carax; it competed for the Palme d’Or at the 2012 Cannes Film Festival. In its quaint particularity it approaches themes like sex, modern life, libertinism and aesthetics, completely justifying the aforementioned honour. It opens wih a shot of people in the theater watching a film, suggesting that… Continue reading Holy Motors (Leos Carax, 2012) “Inner Eye of the Beholder”